The two landscapes of our artist Schenetti are different not only in colors but also in technique.
The stormy sea is an oil, while the sunset is a mixed technique between ink and chalk, but both appear connected by conceptual proximity and by more analogies than we can find at first glance.
It is interesting to reflect on how the storm of the sea seems to find it again in the sunset where the red slope gives movement to the sky.
A slow and silent movement in the sunset, a noisy movement in the sea waves, we feel this before we see it.
The artist's romantic soul emerges and the landscapes are authentic products of his inner world, with its tensions and its limitless vitality.
What matters in these two paintings is not the simple vision of the world, but its re-elaboration, the lived experience that was transformed into a creative force.
The painter translated the result of a metabolization of reality onto the canvas, deforming it and making it poetry.
Tina De Falco