The two works by Clotilde Schenetti present themselves as a true one riot of colors and shapes, which intertwine and embrace each other creating one full and dynamic pictorial space. The set of shapes seems to give life to a abstract landscape, constructed freely by the artist's imagination, without realistic references but full of emotional suggestions.
Some elements, such as circles and signs that recall light commas or clouds, bring to mind the compositions of Wassily Kandinsky, above all for the ability to transform form into musical and emotional expression. However, Schenetti distances himself from a more rarefied and shadowy dimension to arrive at a more refined painting decisive and bright, characterized by energetic brushstrokes and a palette of light and bright colors.
The two canvases, not particularly large, are conceived as twin works, almost inseparable sisters: one doesn't seem to be able to exist without the other. In fact, they build a sort of continuous visual narration, which develops through the dialogue between the two surfaces.
The acrylic technique helps to strengthen the overall effect, giving shine, chromatic intensity and safety in the brushstroke, making the works vibrant and immediately engaging for the viewer.
Tina de Falco